“Review: Tarry This Night by Kristyn Dunnion.” Room, 41.1. 01 March 2018. Print.
“Review: All That is Solid Melts Into Air by Carole Giangrande.” Room, 40.4. Winter 2017. Print.
“Three Sides to the Story: A Review of Behind the Eyes We Meet by Mélissa Verreault.” The Montreal Review of Books. Fall 2017. Print/Web.
“Loneliness, Polyamory, and Possibility in Zoey Leigh Peterson’s ‘Next Year, For Sure.” PRISM international. Summer 2017. Web.
“Review: If I Were in a Cage I’d Reach Out For You by Adèle Barclay.” Room, 40.2. Spring 2017. Print.
“An Exciting Future for Quebec Fiction in Translation: Reviews of The Orange Grove and Brothers.” PRISM international. Spring 2017. Web.
“Reflections on an Unsettled Childhood: A Review of Eric Dupont’s Life in the Court of Matane.“ PRISM international. Fall 2016. Web.
“The Visual Consumption of the Female Body: Nelly Arcan’s Breakneck.” PRISM international. Spring 2016. Web.
“Faith looms large in Sigal Samuel’s Mystics of Mile End.” PRISM international. Winter 2016. Web.
“‘We witness the meaning of nourishment, not only for the body, but also for the soul’: A Review of Kim Thúy’s Mãn.” PRISM international. Fall 2015. Web.
“An Ode to What Lies Beneath: A Review of Montreal Before Spring.” PRISM international. Summer 2015. Web.
“Silcoff is a Writer to Watch For: A Review of Chez L’Arabe.” PRISM international. Summer 2015. Web.
“A Healthy Dose of Cats: A Review of Heather O’Neill’s Daydreams of Angels.” PRISM international. Spring 2015. Web.
“A Review of The Lost Letters: Greenwood is Full of Surprises.” PRISM international. 27 March 2015. Web.
“Reading poetry from an anthology is a lot like speed dating—it’s barely an introduction—but less so with The Griffin Poetry Prize Anthology.”